); Glen Campbell's "Country Boy (You Got Your Feet In L.A.)" (typically beautiful Glen, and about as "real" country as any of these compilations get, which isn't very real or very country but I kind of like that); Slick "Forever and Ever" (dull song by occasionally non-dull pop-rock band with baseball jerseys, or at least their LP has pop-rockier stuff on it -- somebody in that bubblegum book wrote an essay about these apparently failed Brit would-be Rollers and another bicentennial debut LP by L.A.'s Sparksy Kim Fowley/Earl Mankey-produced the Quick, but liked the Quick more, and I think I do too); Kraftwerk's "“Radioaktivität” (did they have many hits in Germany? I wouldn't have expected this on a hits comp but here it is); Chris Spedding's "Jump in My Car" (early Roxy playing pub rock? Dave Marsh pinpoints Spedding "to the left of Dave Edmunds and the right of Brian Eno, which is nowhere," which seems about right, yet real interesting, and I like him more than Dave does); Smokie's "Don't Play Your Rock'n'Roll to Me" (which, again, I was thinking sounded like Dr. Hook -- their singers sound real similar -- before I checked to see who it was.)

xhuxk, Monday, 19 January 2009 15:18 (3 years ago) Permalink

Not a lot to add to Chuck's assessment of Slik other than Midge Ure went on to form The Rich Kids, had a brief stint in Thin Lizzy and then hit paydirt as the face and voice of post John Foxx Ultravox before he saved the world with Band Aid.

Billy Dods, Monday, 19 January 2009 15:28 (3 years ago) Permalink

Plus he was almost lead singer with the Sex Pistols but turned McLaren down.

Billy Dods, Monday, 19 January 2009 15:30 (3 years ago) Permalink

Speaking of which, Chris Spedding also has connections with the Pistols early on, as a producer, I think.

Yehudi Menudo (NickB), Monday, 19 January 2009 15:40 (3 years ago) Permalink

Oh yeah, meant to mention Ure was in Slik, duh!

Super 20 -- Starparade (Ariola West Germany, year unknown)

Okay, this is strange one, since I only have the disc, not the LP cover, and the label on the disc only lists song titles, not artist names. Doubt I'll keep it, but I want to document it. Metal Mike, who sent it to me in a different cover (and who is the source for a lot of these LPs if you hadn't already figured that out), scrawled some notes about a few songs. I'll some to see what I can find. These are the ones I like, amidst lots of schlager:

ROBERTO BLANCO "Hey Mama Ho" (Funny title. Funny funky fake Afro-pop, I guess: "hey mama hey mama hey mama ho....ohhhhh mama!" Figured out artist via -- same dark-skinned guy who did a quasi-Mexican schlager song up above somewhere.)
BRUCE LOW "Die Legende Von Babylon" ( was easy. Stentorian baritone light-opera singer translates Boney M's version of the Melodians' "Rivers of Babylon" into German).
GOLDIGUUGER GOLDIWEL "Das Lied Der Schlumpe" (Okay, this is easier than I thought, assuming isn't lying. Metal Mike classifies this one as "novelty/Chipmunks," which seems about right.)
BENNY "Bin Wieder Frei" (Metal Mike says "Jet Boy Jet Girl"; youtube says "Ca Plane Pour Moi" -- how the hell would you know; it's in German! Obviously awesome, either way. One of the greatest songs in the history of the world, no matter who does it)

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Haven't heard any of these, but 'Das Lied Der Schlumpe' translates as something like 'the song of the slut'!

Yehudi Menudo (NickB), Monday, 19 January 2009 15:53 (3 years ago) Permalink

^^^ probably a pun on 'Das Lied der Schlumpfe' - i.e. the Smurf Song

Yehudi Menudo (NickB), Monday, 19 January 2009 15:58 (3 years ago) Permalink

Actually, oops, my bad, it is "Schlümpfe." So I guess the chipmunk-like voices are actually smurf-like voices instead. I hereby apologize to all sluts who I may have misled. And "Das Lied der Schlumpfe" s as VADER ABRAHAM. (Still want to hear that slut song by Goldiguuger Goldiwel, though.)

Here is the smurf song:

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Ah, good old Darth Vader Abraham - all is right with the world once more. Did you notice the audience in that video Chuck? No kids as far as I could tell, just all old folks clapping along and having a merry old time - that's a hardcore Schlager crowd that is.

Yehudi Menudo (NickB), Monday, 19 January 2009 16:46 (3 years ago) Permalink

I especially like how there's that Munchen gasthaus table at the side of the stage, so das old volk can enjoy their bratwursts and smurfs at the same time. Also, I keep thinking Vader Abraham is some kind of rabbi, but I doubt that's an especially rabbinical congregation he's entertaining.

High Life (Polystar West Germany, 1979)

OVERDRIVE "Constantinople" (Better than the Residents version, which is the Residents' catchiest song. Well actually, this is a different song about the same topic. Lyrics about balls of fire and Roman empires and Byzantine tierras. "Constan-constan-constantine!": post-"Rasputin" history-lesson disco, with a deep voiced Tuetonic goofball guy chiming in behind the girls, just like in Boney M)
DOLLAR "Who Were You With In The Moonlight" (They played second early-'80s post-Abba proto-wonky-pop new-pop studio-pop banana behind Bucks Fizz, right? Have heard other good singles -- a couple on that 45s thread -- but never a whole LP, I don't think.)

Otherwise:

-- More good pseudo-Abba selections by both Clout ("Under Fire") and Luv ("My Guy," "Eeny Meeny Miney Moe"); the Luv ones, especially seem to have a lot of bubbly nursery rhymes in them, and "Eeny Meeny" also takes a chord progression from "Rasputin" and seems to concern a sad little boy in a schoolyard.

-- Expertly melodic sterling-silver semi-metal radio pop from Golden Earring ("Weekend Love") and Rainbow ("Since You Been Gone"). Don't think I ever even heard the Golden Earring one before, and I've got three albums by them. (Did they have lots of Euro hits? Only two in the States, of course, with eight years separating them.) In the early '80s Ken Barnes, I think it was, did the column on singles in Creem (maybe briefly New York Rocker too? Or was that somebody else?), and I remember him commenting once about how previously sodden AOR bands like Rainbow and 38 Special were figuring out real smart ways to adapt FM hard rock to a sleek pop-radio 45 format. These might be examples of that.

-- Nick Straker Band "Walk In The Park" is kind of ominous. It's dark in the park. Opening chords sound not unlike Foundations' "Build Me Up Buttercup."

-- Roxy Music "Dance Away" is so totally lonely-Eurodisco in both its synth rhythms and lyrics (even mentions strobe lights) that I'm kind of amazed, in retrospect, that mid-American rock stations played it so much: even ones in Detroit that handed out Detroit Rockers Engaged in the Abolition of Disco (D.R.E.A.D.) membership cards (yeah, I had one).

-- Don't think I ever heard the long (5:46) version of Peaches & Herb's "Reunited" before. Still great.

-- Don't think I had ever heard Abba's "Happy Hawaii" or Sweet's "Call Me" either. Both just okay.

-- A disco band I think might not be very good is MILK & HONEY WITH GALLI. They've had two songs on these comps so far, and I haven't liked either one.

xhuxk, Monday, 19 January 2009 18:43 (3 years ago) Permalink

"Constan-constan-constantine!"

Actually "constantine-constantine-constanine-ople." Whatever. Now here are a few videos I found:

Sailor "Stiletto Heels"